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Alberto Gerosa works with film and performance. Best known for his 'Uninvited Trilogy' (2022 Art Basel, 59th Venice Biennale and Documenta Fifteen), and his film 'Dea' (2021), his work was commissioned and acquired by the Sigg Collection, HK Art Development Council, National Museum of Ethnology Japan, City Contemporary Dance Company HK, Cineteca di Bologna, Yamagata Documentary Film Festival, Ethno Cinema Days VGIK Moscow, Slamdance among others. A visiting scholar at Image Anthropology Lab, Tokyo University, he is adjunct professor of ethnographic film and performance at the Chinese University of Hong Kong.
Alberto Gerosa 從事電影和表演方面的工作。以《不請自來的三部曲》（2022 年巴塞爾藝術展、第 59 屆威尼斯雙年展和第十五屆文獻展）和電影《Dea》（2021 年）而聞名，他的作品受香港藝術發展局、國家民族學博物館的希克收藏委託和收購日本、香港城市當代舞蹈團、Cineteca di Bologna、山形紀錄片電影節、莫斯科民族電影節、Slamdance 等。東京大學影像人類學實驗室訪問學者，香港中文大學民族志電影與表演系客座教授。
This archival project is curated by veteran directors Fruit Chan and Wing Shya, involving the production of videos by the artistic reworking of family audiovisual materials made available by local audience and institutional archives. The audience will experience the transformation of their family photos and videos into a time-travelling narrative to be shared online.
The six films offer a sensorial experience into an imagined parallel Hong Kong. Multiple and non-hierarchical, this assemblage of sensations, dreams, and myths opens the local subjectivity to virtual potentialities. The montage expands to achieve a rhizomatic flow.
Through a progression of sounds and images from local Hong Kong people and institutions, the editing team allowed sacred and profane elements to intertwine, remixing some among the infinite microhistories we see daily.
The radical footage texture is ethnographic and sci-fi, reality and fiction, giving birth to an archaic legend from the forgotten future of Hong Kong’s deep water pier.
本項目由陳果及夏永康策劃，旨在以藝術手法重塑本地檔案室及觀眾提供的家庭錄像素材。
觀眾的家庭照片及錄像將會以穿越時空的敘事模式，在網路上呈現。
這六部影片分別以想像塑造一個平行香港，提供一場感官體驗。這些無分階層的多元作品，匯集感覺、夢想和神話，打開本土主觀性的虛擬潛力。
蒙太奇則擴展以達到蔓生流動。
編輯團隊透過一系列來自香港本地人和機構提交的聲音和影像，交織神聖和世俗的元素，混合一些我們每天看到的無數微觀歷史。
片段的激進質感具民族誌意識和科幻感，現實與虛構並重，締造來自香港深水碼頭被遺忘的未來之古老傳說。
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